STAR TREK #35 DC Comics, 1986

It seems like every comic book publisher – from Gold Key to DC to Marvel to Malibu – has had a crack at Star Trek. The property has been licensed by Paramount to seemingly everybody but Broadsword Comics, but for various reasons such as editorial restrictions and cost, no single publisher has held on to Star Trek indefinitely.

Most of the Star Trek comics I own are from DC, although I think I still have some of those weird-ass Gold Key issues in a long box around here somewhere. I’ll be honest, Gold Key comics were never my first choice – on vacations my dad would stop for gas and we’d beg him for comics and sometimes he’d come back with Gold Key’s Star Trek or Dark Shadows or some shit. “It was all they had," my dad would say. "Be happy you got anything at all.” And then he would hit me. (Kidding! Hi Dad!)

But I digress. Star Trek #35 was the middle of a multi-part storyline written by Len Wein called “The Doomsday Bug." I think I had the Doomsday Bug the other week. This particular Doomsday Bug is a deadly zombie virus, however, and unlike my bug, this one doesn't involve diarrhea. The story revolves around an intergalactic incident caused by the pesky disease. Spock’s life hangs in the balance! Kirk defies orders yet again and gets into a pissing match with a Romulan commander! A plague ship full of Zombulans speeds deep into Romulan territory! Holy shit, dude!

The story is set some time between Star Trek II and III I think, and draws off the designs from those films. The Romulans were nowhere to be seen in the films, so DC got to sort of wing it and make up a new look for these classic bad guys. And by “new” I mean “goofy as hell.” The results were… well, check it out:

I chose this issue because I like the art by veteran penciller Gray Morrow – the characters look like the actors without seeming too heavily photo-referenced, a common pitfall of any Star Trek comic. Seriously, some Star Trek comics draw so heavily on photographs that they might as well just be fumetti. Not here - Morrow manages the tricky balancing act of drawing comic book characters based on real people while still adhering to comic book aesthetics. The coloring is a little washed out, but that might just be the aging twenty year old paper.

Morrow doesn't do so well with the starships, however. Check out the cover - the Romulan ships look OK I guess, but that's supposed to be the USS Excelsior in the center there. It doesn't look any better inside the book - I've included a picture of the movie version of the Excelsior and Star Trek #35's Pregnant Excelsior as a comparison/contrast exercise:


Apparently in space it's really important to have your ship's registry number in HUGE LETTERS on the saucer section for quick and easy identification by binoculars or something.

Aesthetic nitpicking aside, I enjoyed this storyline. It's the kind of Star Trek story I would write: lots of space battles, daring gambits, brinksmanship, and awkward dialogue. Writer Len Wein obviously has some love for Star Trek and its characters, although a couple things stand out.

First, this panel (below). What's wrong with this panel?



This is a pet peeve of mine. "To coin a phrase" means to create an entirely new saying, such as, "That's the cat's banjo!" There. I just coined a phrase. It does NOT mean to use an existing, established phrase. Come on, Kirk, get it right.

My other petty complaint concerns these two panels:

That just seems sort of patronizing to me. Oooh, Kirk is so enlightened that he's willing to turn over temporary command of the ship to - gasp! - a woman while Mr. Scott is in the bathroom. Don't strain anything patting yourself on the back, Starfleet. I understand that this is just Wein's way of saying that Uhura is a capable officer who is much more than just the Enterprise's switchboard operator, but I think the same message could have been conveyed by having Uhura just matter-of-factly taking command without making such a big deal out of it. It's the 24th century, you'd think they'd be well beyond silly 20th century gender politics.

Fun as it is to pick at goofy stuff in comic books, I really enjoyed the Doomsday Bug storyline when I was a youngster and enjoyed re-reading it today. You could do a lot worse in a Star Trek comic, and believe me, people have.

In closing, Star Trek #35 is the cat's banjo.

And now for Klingon Komedy.